Script geometry

by THOMAS TILLY

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  • Record/Vinyl + Digital Album



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1.
A1 — At night, mass — (Composed from A-B stereo recordings of the same zone made during several nights. Raw recordings from 0,00 to 3,40, mixed from 3,40 to the end)
2.
Hyla, nana 05:51
A2 — Hyla nana — (Stereo phonography. No mixing, no editing, low cut filter. Recorded in Cayenne - species not found in the Nourague zone).
3.
B1 — In the ground — (Phonography - no mixing, no editing).
4.
B2 — Crossroads, phasing — (Composition, classic and ultrasonic recordings. Mixing & editing).
5.
Castaneotica 06:24
B3 — Castaneotica — (Mono phonography. No mixing, edited at 1,39).
6.
°°°°°° 02:18
C1 — °°°°°° — (Ultrasonic phonography. No mixing, no editing).
7.
C2 — Crossroads, Nodes — (Composition, classic and ultrasonic recordings. Mixing & editing).
8.
C3 — Epipedobates hahneli — (Mono phonography. No mixing, no editing).
9.
D1 — La grotte, parfum — (Phonography. Two simultaneous tracks recorded with a microphone and an heterodyne sensor (ultrasounds) in the same localization. No editing).
10.
D2 — Turtle breath — (Stereo phonography. No mixing, no editing).
11.
D3 — Unidentified insects colony — (Ultrasonic phonography. No mixing, no editing).
12.
E_ — Reference recording — (AB stereo recording, at night. No editing, no mixing. The refercne recording is a document added to the work found on the vinyls, it' a sound reference point giving an exemple of Nouragues zone, and the sound activity present there over a relatively long perido of time) Compact disc.

credits

released April 16, 2014



Thomas Tilly — Script geometry.

All recordings and compositions by Thomas Tilly 2013.
Double Lp - mastered by James Plotkin.
Cut by Rashad Becker at D&M, Berlin.
Cd Mastered by Thomas Tilly.

More info : www.aposiopese.com/pages/script_geometry.html

Produced by Aposiopèse, Le Confort Moderne, Jazz à Poitiers, Thomas Tilly and Le Lieu Mutliple. 2013/2014.
Artwork by MB. © Mélanie Bourgoin, 2013.


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— Approaching the forest as if were a city, a construct, an ensemble of strata and vertical heights where signals answer, contrast and ignore each other.Variations occur, fullness and emptiness are created according to the weather and the peak and off-preak hours. This density that language can't define presents a challenge for the ear, and from this density surfaces, frm time to time, certain analogies to a modern sound environment.
Cultural leads fraw our experience of these natural acoustic phenomenin towards the domain of technology : "it sounds like... it's like..."

The timbres ? The sound structures ? There exists something in a tropical forest that sounds like and plays within the realms of electronics, music and electronics noise ; something characteristic of an era long before the birth of biotopes that form this forest and create this sound.
Script geometry comes from this idea and the desire to work with density, in an attempt to extract forms that characterize these analogies. Taking these sounds out of their context and rearranging them as we would patch cables on a synthesizer ; weaving these strata and vertica heights into a different pattern by using the signals from the forest as if they were synthetic sounds : dissecting this spectrum and looking for something that can only be revealed through listening, this is the essence of the project —

Thomas Tilly


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BUY DIGITAL : thomastilly.bandcamp.com

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www.fissur.com | Thomas Tilly
www.nouragues.cnrs.fr | Stations des Nouragues
scriptgeometry.wordpress.com | Blog
www.soundofeurope.eu/eblog/thomas_tilly | A possible music

www.confort-moderne.fr | Le Confort Moderne
www.jazzapoitiers.org | Jazz à Poitiers
www.lieumultiple.org | Lieu Multiple


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